Author: Kaufman, Moises |
Title: Gross Indecency: The Three Trials of Oscar Wilde |
Where seen: Guthrie Lab Theater, |
Director: (Published by Vintage) |
Performance time: |
Cast: |
Recording available: |
Relevance to doaskdotell: freedom of speech in art |
Review Drama Review: Gross Indecency: The Three Trials of Oscar Wilde (1998), By Moises Kaufman, Published by Vintage; also The Laramie Project (2000) I saw this, staged arena style, at the Guthrie Lab Theater in The play depicts Oscar Wilde's contribution, not so much to "gay rights" but to the notion of human pyschological, aesthetic, and intellectual freedom. The play has a definite didactic flavor: the narration sometimes overtakes pure drama (often necessary in history plays). The story concerns Wilde's three trials in 1885. In the first trial, Wilde prosecutes Lord Queensberry for libel for accusing him of carrying on an indecent relationship with the Lord's son, Bosie. The trial focuses not so much on the evidence that homosexual acts took place as on the "subversive" nature of Wilde's writings, particularly the novel The Picture of Dorian Gray. In the novel, Wilde had portrayed his philosophy of what we could call "aesthetic idealism" (the antithesis of a moralistic or religious "aesthetic realism"), which has its "pagan" roots in Hellenistic culture. For a (psychologically feminine) older man to love and mentor a (psychologically masculine) younger man for the psychological benefit of both was seen as a cultivation of new forms of beauty for its own sake. (Wilde claims he loved a young man's "spirit" but in fact that spirit was visually symbolized by a young man's body, as in Dorian Gray.) Art could impress these values upon people, and thereby liberate them from the oppression of a social caste system and from a corrupt, self-perpetuating state. The best political system for human freedom was, in Wilde's terms, no government at all. Wilde was indeed a libertarian, or perhaps anarchist. The artist, in Wilde's view, had the hidden power to mold the psychological values of ordinary people and a larger society. In fact, the narration of the play explains that the trials of Oscar Wilde marked the beginning in western civilization of the pre-modern concept of a "homosexual" as a separate kind of person with inclinations that are inherently subversive and narcissistic. The notion of homosexuality as a character disorder, as developed in my own DADT book, seems to have been born in these trials. By treating it this way, society could avoid painful (for some people) psychological exposure. (Whether this really starts with Victorianism is debatable; other authors like Andrew Sullivan trace all this back to Aquinas). The military, in particular, has been able to exploit this notion of the homosexual as parasitic and disruptive. Sodomy laws are based on similar notions. Wilde's trials may indeed have contributed ultimately to the development of a "gay community" to which one either belongs or doesn't belong. They may also have contributed to the distaste we perceive today when an older person shows an "interest" (gay or straight) in a much younger person. Based on the evidence from the first trial, the Crown immediately charges Wilde with "gross indecency" (sodomy or buggery) with various young men. An important point was that these young men were not of his age or social class (they were legal adults). Wilde is given the chance to leave the country but refuses and insists upon defending his moral convictions. In the end, the judge sentences him to two years at hard labor in what he considers one of the "worst cases" he had ever heard. Here are a few impotrant Wilde quotes: "The books that the world calls immoral are the books that show the world its own shame." "To judge… the immorality of an artist is to ask the court to do what it is wholly unfit to do." This play is more effective than the 1998 film Wilde, starring Stephen Fry and Jude Law. Athough, in this arena stage play, Bosie comes across as a poison apple whereas in the movie (played by Jude Law) he seems pretty clean cut. --- This is a good place to mention the 1945 ____ A more recent effort play by Moises Kaufman is The Laramie Project,
presented by the Tectonic Theater Project and recently performed in On HBO (with Good Machine) first aired
a film version of this play on 33 Variations, opening in the summer of 2007 as a preview at the Arena Stage in Washington DC, both written and directed by Moises Kaufman, layers the story of Beethoven’s composing his famous Diabelli variations with that of a dying musicologist researching the composition and the daughter reluctantly caring for her. The blogger discussion is here. |
Related reviews: Anatomy of a Hate Crime |
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